RELATIVE AUTONOMY: MEDIA, FILM & POLITICS
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The Media and Capitalism

6/6/2018

 
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Below is the text of a talk I gave at a meeting of the Socialist Party of Great Britain in Hammersmith, London in May 2018. A caveat: some of the points made here are rather truncated as the text was conceived as the basis for a 20 minute talk and group discussion rather than a well-rounded treatise.

Most people today no longer live with media, but in media. The media provide us with pleasurable distraction and vital information, a playground for the imagination and a window on the world. Socialists, however, are all too aware of mainstream media’s systematic biases and distortions of the truth. Despite considerable advances in communication technology and a dramatic shift in the directionality of information flows, we live, perhaps more than ever, in a world of disinformation and propaganda – ‘fake news’ in today’s fashionable phrase. The press tells us lies, sometimes small ones, such as The Sun newspaper’s infamous report about swan-munching asylum seekers, sometimes large ones, such as the same newspaper’s fabrications about the Hillsborough disaster and Iraq’s non-existent ‘weapons of mass destruction’ - the lie that launched a thousand missiles. There is also a constant demoralisation of the working class. In Britain, news and current affairs programmes regularly demonize strikers, immigrants, Muslims, the disabled, and so-called ‘chavs’, deepening social divisions and discouraging solidarity by pitting workers against one another on the basis of race, nation, religion, sexuality and so on.

This process is all too apparent in the torrents of outrage directed against so-called ‘benefit claimants’ (people in receipt of social security payments). British newspapers regularly condemn these supposed scourges of society and in the last decade, in particular, the country’s television schedules have abounded with largely malicious, luridly titled documentaries: Nick and Margaret: We All Pay Your Benefits (BBC), Benefits Street (Channel 4), On Benefits and Proud (Channel 5), or even Gypsies on Benefits and Proud (Channel 5). Despite relatively low levels of benefit fraud, these programmes encourage us to revile some of the poorest and most vulnerable members of society.

What the mainstream media does not encourage us to do, of course, is to question the system that makes people poor and vulnerable. On the contrary, to read the news or to turn on the television or radio is to expose oneself to the capitalist worldview of our rulers. According to this worldview, there is no alternative to our current system of leaders, nation states, markets and exploitation. This holds true for liberal, as well as right-wing media. In fact, in their support for certain capitalist imperatives – such as the need for imperialist war – liberal and leftist commentators are sometimes more enthusiastic than conservatives.

Whether conservative or liberal, the loudest voices in the media are those of the bourgeoisie. Professional newsgathering draws heavily on the opinions of business and military leaders, professional politicians and other official sources. As a result, news agendas reflect the priorities and interests of the capitalists rather than those of ordinary people. And it gets worse: these days, as Nick Davies's book Flat Earth News points out, most news stories are produced not by journalists as such, but by private and state-owned public relations agencies, which have even less incentive to produce unbiased reporting. But why is this so? In a world of growing economic and ecological crisis, poverty and military violence, why do the mainstream press and broadcasters, for the most part, continue to support the status quo? Why do they tell lies, attack working class political action, support capitalist wars, and insist that capitalism is the only viable system?
 
Ownership and Control

The most obvious answer to this question, of course, is that the media industries are owned and controlled by the bourgeoisie, such that, as Marx famously put it in The German Ideology, “the ideas of the ruling class are in every epoch the ruling ideas”. Very true. In his unpublished preface to Animal Farm in 1945, George Orwell commented that “The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics”. And as Chris Pallas, a.k.a. Maurice Brinton, wrote in 1970, “the means of moulding public opinion (press, radio, TV, churches, schools and universities) are in the hands of the ruling class. The media consequently disseminate ruling class ideas, values and priorities”.

The ownership of the means of media production tends to be highly concentrated, giving enormous power to a small number of media owners. These moguls develop close relationships with government. In Britain, the early press barons even held key government positions. For example, Lord Northcliffe, whose newspapers during World War 1 helped to condition the public for total war, became Director for Propaganda in enemy countries. Throughout the twentieth century, moreover, senior politicians and media moguls have established quid pro quo relationships. In 1981, for example, Rupert Murdoch’s newspapers strongly supported Prime Minister Margaret Thatcher, who in turn helped Murdoch to buy Times Newspapers, bypassing referral to the Monopolies and Mergers Commission. The back-scratching continued a few years later, when Thatcher facilitated Murdoch’s smashing of the print unions at Wapping.

From the mid-1990s until he switched his support back to the Conservatives in 2010, Murdoch also fostered a close relationship with Tony Blair’s New Labour party. Lance Price, a former media advisor to Blair, even called Murdoch “the 24th member of the Cabinet”. It therefore surprised nobody that, when the US and British armed forces invaded Iraq in 2003, every one of the newspapers owned by Murdoch’s News Corporation gave the military action its full-throated support. On television, meanwhile, Murdoch’s Fox News Channel made a fluttering US flag a permanent on-screen fixture and described the deadly invasion as ‘Operation Iraqi Freedom’. While Murdoch’s star might have faded in the wake of the News of the World phone hacking scandal, his story illustrates the power of media moguls to shape editorial content and mould the public mind.
           
The Power of Advertising

Advertising plays a part, too, in ensuring that the mainstream media content seldom strays far from ruling class opinion. Advertising is not only poisonous in its own right – since the beginning of the twentieth century, in particular, it has promoted false or dangerous needs and created uninformed consumers through distorted and exaggerated claims – but it also contaminates the surrounding media environment.

In early nineteenth-century Britain, in fact, the growth of advertising helped to destroy the working-class press. This so-called ‘radical press’ included titles such as The Poor Man’s Guardian, which supported the Chartist movement. Henry Hetherington, the newspaper’s editor, condemned capitalism as a “competitive, selfish, scrambling” system and vowed that “workers will be at the top instead of the bottom of society or rather there will be no bottom at all”. Clearly, these newspapers posed a threat to the bourgeoisie. Yet as the advertising industries and printing technologies developed in the nineteenth century, only the bourgeois press could afford to meet their production costs. The working-class publications disappeared, not because they were unpopular (on the contrary, they enjoyed the highest circulations in British newspaper history) but because they did not attract advertising sponsorship. Such situations are not unfamiliar today, almost 200 years later, as Facebook and Google hoover up advertising revenue to the detriment of traditional journalism.

Indeed, since the early days of capitalism, advertiser influence over the media has continued unabated. Advertisers prioritize profit, and media content that is critical of the status quo or which simply highlights social problems, is less attractive to them than more light-hearted fare (see Brown and Cavazos's 2005 article "Why is this show so dumb?"). In fact, companies such as Coca-Cola have even refused to advertise during news broadcasts, on the grounds that “bad news” might affect consumers’ perceptions of their product. And when programme makers become too critical of the system, the consequences can be serious. In their influential book Manufacturing Consent, academics Ed Herman and Noam Chomsky cite the case of the US public-television station WNET, which “lost its corporate funding from Gulf and Western in 1985 after the station showed the documentary Hungry for Profit, which contains material critical of multinational corporate activities in the Third World”.

In today’s digital environments, too, media organizations often face advertiser backlash. Last year, for example, a host of corporations including Volkswagon, Tesco and McDonald’s withdrew their advertising spending on Google and its subsidiary YouTube over concerns about video content they deemed inappropriate or ‘extremist’. Youtube is also ‘demonitizing’, that is, withdrawing advertising for, channels that are less viewed and those whose content is deemed to be advertiser-unfriendly. Indeed, by insisting that their products and services appear in high-profile, ‘brand safe environments’, advertisers exert a conservative influence over what the public is able to see and hear.
 
What about the ‘Public Service’ Media?

So much, then, for the commercial media. But in Britain and elsewhere, of course, there exists a broadly non-commercial or ‘public service’ model of media ownership, represented by the license-fee funded BBC. The public service model offers certain advantages to viewers and listeners. In exchange for the license fee, the BBC provides welcome relief from interruption by commercial breaks. And it must be admitted that today’s BBC, followed closely by the commercially-funded public service broadcaster Channel 4, is responsible for some of the UK’s most sophisticated and stimulating television and radio programmes.

The politics of the BBC, however, are another matter. ‘Auntie Beeb’ claims to be objective and independent, stating in its editorial guidelines that it “will never promote a particular view on controversial matters”. But throughout its history, the Beeb has been a bastion of ruling class opinion. In 1926, one of the very first actions of the newly established BBC was to support the government against the workers during the General Strike; as the organisation’s first Director General John Reith candidly remarked at the time, “the government knows it can trust us not to be really impartial”. In fact, the BBC has a long history of backing the establishment – most obviously in its patriotic role as the ‘Voice of Britain’ during the Second World War and its unwavering support for the British monarchy. Like ‘state broadcasters’ the world over, the BBC advances the interests of the domestic ruling class and its international allies.

Given all of this, it is unsurprising that the BBC, like most major media organizations, has long-standing connections with the British security services (which are, incidentally, the most extensive in the world outside of the US). Of course, the BBC is hardly unique in this respect. The investigative journalist David Rose has spoken about his own interactions with British and US intelligence sources, criticizing the often misleading information he was given (including cast-iron reassurances about the existence of Saddam’s ‘weapons of mass destruction’) and the unaccountable influence of anonymous ‘Whitehall sources’ over British journalism ('Spies and their lies', New Statesman, 27 September, 2007). Nevertheless, the BBC’s connections to state power are particularly deep. The organization sees one of its roles as the projection of British ‘soft power’ on the global stage and its journalists and senior managers meet and communicate regularly with the Ministry of Defence, GCHQ, MI5 and MI6. For fifty years, BBC staff were vetted by MI5 and today, many prominent BBC figures, such as Security Correspondent Frank Gardner, a former Territorial Army captain and investment banker, have links with the secret state (for more on these kinds of connections, see Tom Mills's 2016 book The BBC: Myth of a Public Service).
 
The Internet: A Brave New World?

In the parts of the world where it is accessible (at the time of writing, only a little over half of the planet has access), the Internet is transforming public communication. Since the beginning of the twenty-first century, so-called Web 2.0, with its potential for multimedia collaboration and networking, has opened up new possibilities for instantaneous ‘many-to-many’ political communication. A dramatic example of this is provided by the Arab Spring of 2011, when demonstrators in countries such as Egypt and Libya organized protests using social media. These activists became ‘citizen journalists’, bypassing highly restrictive broadcast media systems to expose state oppression and social unrest. Nevertheless, such examples do seem marginal when one considers that the main uses of the Internet are pornography and shopping.

Moreover, the liberatory potential of the Internet is highly circumscribed by state and corporate power. In his book Move Fast and Break Things, Jonathan Taplin details how the theoretically 'open' architecture of the Internet was captured by libertarians like Jeff Bezos, Peter Thiel and Larry Page, who built up massive media empires on the basis of sharp practice, piracy and the trampling of individual privacy. As in traditional media, content online is shaped by advertisers and other powerful interests, who have shifted much their spending from traditional to online media. The results obtained from a simple Google search, for example, are largely determined by the companies and political parties who pay for the keywords. In fact, despite its cutesy (and recently abandoned) motto ‘don’t be evil’, Google has been fined for abusing its dominant market position in the search domain by favouring its own products in search results pages and Google algorithms increasingly serve to remove oppositional and critical websites from search results. The social media giant Facebook, to take another example, filters the content that can be accessed by users and has been widely accused of deleting the accounts of individuals and political groups from its site on political grounds.

We are dealing here with good old-fashioned monopoly power. Like the press barons of old, today’s big tech companies cultivate close relationships with politicians in order to maintain their market positions. In the US, Google, for example, spends millions of dollars each year on political lobbying. The company has even secretly funded academic research to ward off regulatory challenges to its market dominance.

And what about us, the users of Internet platforms? Like readers and audiences in traditional media, Internet users become commodities to be sold to advertisers and as the recent fuss over the activities of Cambridge Analytica has highlighted, their personal data is traded by corporations. Yet those same users also produce this data with little or no payment. Google and Facebook, in other words, make their profits by exploiting our unpaid digital labour. They have also, as sources told the New York Times in 2013, passed data to the National Security Agency. Indeed, we should not forget the role of the state in monitoring and policing online communication. Across the world, capitalist states access emails and social media messages, block websites and even, when necessary, shut down the Internet, as happened in several countries during the Arab Spring. Online, covert intelligence operations are also used in order to sow confusion and undermine critics of the system. In Britain, for example, JTRIG, a branch of GCHQ, uses ‘dirty tricks’ to “influence and disrupt” the online communications of its ‘targets’, generating fake emails and videos, blogs and forum memberships - a kind of modern-day Zersetzung.

The fiendish part of all this is that, in what Gilles Deleuze called 'societies of control' such as our own, corporations and the state do not so much restrict our use of communications technology as encourage us voluntarily to produce the means of our control through our participation in social media and other data-generating activities such as the use of search engines and virtual assistants. Contemporary society is characterised by what Christopher Bollas calls 'Id capitalism'; today, we are controlled not so much through prohibitions and taboos, but through encouragements to share, like, express and indulge our thoughts and desire - and, of course, to monitor the online interactions of our peers, a practice the media sociologist André Jansson has termed 'interveillance'.

In light of all this, it is useful to take a dialectical perspective on the Internet. The World Wide Web provides many opportunities for socialist education and organization; but it also allows private companies and the state to surveil and even deceive the public. In her book Blog Theory, Jodi Dean argues that under conditions of what she calls 'communicative capitalism', messages on the Internet tend to lose their 'symbolic efficacy' and critical edge to become so many circulating 'contributions'; it is their exchange value rather than their use value that comes to matter. Meanwhile, the digital giants that capture and exploit our communications continue to accrue more and more power and wealth. Indeed, within academic Media Studies there is a growing appreciation that rather than representing a radical counterbalance to mainstream, established media - a perspective that was always too simplistic - Facebook, Google and Amazon are very much part of that mainstream.
 
Conclusion

There is, of course, much more to be said about the ways in which state and commercial interests influence our media than can be addressed in this short overview. In fact, a properly materialist account of the media would consider not just the media industries’ manipulation of ideas and information, but also the material conditions of media production. All across the planet, the entire media infrastructure of transmitters, cables, studios, offices, cameras, computers, and so on, is produced and operated by exploited workers, often in appalling conditions. Our digital devices – phones, tablets, and so on – are made from minerals mined in life-threatening conditions by workers in African countries (cassiterite, cobalt and coltan mines in Congo), assembled by suicidal factory workers in China (Foxconn) and distributed by hyper-surveilled, overworked workers in the West (Amazon's warehouse drudges). This is to say nothing of the damaging environmental effects of producing so much soon-to-be-obsolescent hardware.

But what is to be done about the problem of the media? Proposals for reforming the media industries are advocated and implemented constantly. In Britain, many liberals and leftists welcomed the Leveson Enquiry set up under Prime Minister David Cameron as a means of challenging unaccountable media power following revelations about phone hacking at Murdoch’s sleazy News of the World newspaper. Although it was billed as an investigation into the “culture, practices and ethics” of the British media, it might better be seen as an effort to humble the pro-American Murdoch by more independently-minded factions of British state. In any event, Leveson has not led to any significant changes in the quality of British journalism and did not even mention the hacking of the Internet by the intelligence services. If anything, the enquiry may have served to shore up belief in the fundamental decency of the state.

Reforms to Internet ownership and control are also regularly proposed. In his 2015 book The Internet is Not the Answer, the incisive critic of 'big tech' Andrew Keen, for example, has welcomed the 'regulatory turn' against the technology giants in recent years. But regulation is always playing 'catch up' with the capitalists, and is thus always liable to be circumvented, especially in the fast-moving tech sector. Then there is Nick Srnicek’s suggestion, in a 2017 Guardian article, that platforms such as Facebook, Google and Amazon are ‘natural monopolies’ that should be nationalized in order to curtail the power of private corporations. Such suggestions are widely shared by liberal and left-wing commentators. But as with many such social democratic reform proposals, it is not at all clear how Srnicek’s scheme to fund such a move by wealth taxes could actually be implemented, or how nationalization (by which country?) would protect Internet users from state surveillance. And, of course, such reforms do not abolish the exploitative social relations that underpin all media production; in fact, they depend upon them.

One thing we that we can do, as socialists, is use what purchase we have in traditional and ‘new’ media to put forward the case for socialism as an urgent necessity and to organize class struggle activity. We can also expose mainstream media bias and misinformation, providing a critical framework for making sense of what we see, read and hear. This is not a hopeless task. After all, people don’t believe everything they are told. Even many media workers are highly sceptical about the system they work within. Take journalists, for instance. Highly paid, elite journalists like Andrew Marr or Jeremy Paxman are predictably conservative in their political views. Most ordinary journalists, however, are workers who, while having to go along with management demands in order to keep their jobs, are all too aware of the media’s role in producing capitalist propaganda and have sometimes even opposed it. You can't fool all the people all the time. But we should have no illusions about the value of piecemeal reforms or small-scale acts of resistance: we will only see the end of media propaganda and the exploitation involved in media production by ending the capitalist ownership and control of the media. That means nothing less than the overthrow of the capitalist class itself.

In defence of 'poppy-burning scum'

5/11/2011

 
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Recently, arrests were made in Northern Ireland after two young men in Coleraine posted images of themselves on Facebook burning a red poppy. It is now, apparently, a criminal matter to desecrate the symbols of the state - although the official charge is 'incitement to hatred'. The incident provides a small example of how the state is more and more clamping down on social media expressions of political criticism. This should in turn give pause for thought to those cyber-optimists and techno-determinists who still regard social media as inherently progressive, a site for democratic, uncensored self-expression. If only it were so. From its very beginnings, Facebook has been used by the police and secret services as a surveillance tool (an aspect of Facebook understandably left out of the film The Social Network) and police are warning members of the public to 'be careful' about what they post on the site. Get ready for much more of this in future.

But what is it that makes the poppy such a contentious symbol? Like all symbols, the red poppy acquires its meaning from the social contexts in which it circulates. In Britain, the poppy is worn in the period around Remembrance Day. While the wearing of the red poppy has always involved a cynical manipulation of working-class concsciousness (as discussed below), it could also be argued that it embodied the trauma and mourning of a society recovering from the shock of the mechanised mass slaughter of World War I. Today, however, it functions more like a symbol of active forgetting.

The poppy's most prominent wearers today are the senior members of the ruling class, including the queen as well as top military and political figures - the very same people who organise and justify Britain's imperialist wars. It is therefore necessarily a nationalist and militarist symbol. Usually this is made quite explicit by its defenders, who proclaim that they wear the poppy in remembrance of those who 'sacrificed' themselves for 'their nation' or to secure 'freedom' during the world wars of the twentieth century.

Such arguments would be a tough sell in Dresden or Hiroshima. Indeed, the world wars did not bring about 'freedom' in any general sense. They involved massive and pointless loss of human life, as workers killed one another on behalf of their national ruling classes. Few if any of these workers had wanted to go off to kill other workers. Indeed, many of them were conscripts and many were militant unemployed workers who had been blacklisted by employers and hence forced to join the army. After the First World War, the poppy was introduced to bind workers and their families to the nation state in order to ensure a ready supply a cannon fodder in the future. And so it is to this day. The ongoing cynical manipulation of the poppy's symbolism is nicely illustrated in Ken Loach's recent Route Irish, a film about a cover-up during the Iraq war, in which the only character to sport a red poppy is the oleaginous and corrupt ex army officer Andrew Haynes.

That the industrialised mass murder of the two world wars had nothing whatsoever to do 'protecting freedom' was quite apparent to many of those who actually fought in them. Britain's last surviving First World War veteran Harry Patch, for example, was very clear that the war was 'organised murder' that 'was not worth it'. Moreover, the allied victory over the fascists in the Second World War did not inaugurate an age of peace, as is often claimed by many in the pro-poppy lobby, but one of continuous slaughter, from Korea and Vietnam to Iraq and Afghanistan. Indeed, the global devastation wrought by the US and its allies since the Second World War has matched anything the Nazis could have brought about.

There are those who argue, whether fondly or cynically, that the poppy, for them, is a non-political symbol and that wearing it simply promotes awareness of all those who have died in wars. But this is at best disingenuous: after all, people do not wear poppies to commemorate dead Vietnamese or Iraqis. Far from being a non-political symbol, the poppy - perhaps to an even greater extent than the Union Jack - is a potent emblem of state power and its most vociferous proponents are the political and military elites which continue to send young people to their deaths in order to secure capitalist interests.

Poppy madness is growing. At the time of writing, the British Prime Minister and a royal prince are clamouring for the poppy to be worn by the England football team. Every news report referring to Remembrance Day refers to the 'sacrifice' of 'the fallen' (a phrase that excludes those brave men imprisoned, attacked or executed for refusing to participate in the wars) and draws parallels between the allegedly 'just wars' of the twentieth century and Britain's current overseas operations ('And now, over to Camp Bastion...'). It was not always thus; when I was a child in the 1970s, the red poppy was no big deal. Today, it is at the heart of an orgy of nationalist and imperialist sentiment.
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The Coleraine case is not the first instance of poppy-burning that has been dealt with by the police. In 2010, members of the group Muslims Against Crusades, which the Daily Star called 'poppy-burning scum', were fined for burning poppies during a protest. Such repression is to be expected: as the working class struggles to find its voice internationally, the ruling class will increasingly seek to rally us around its patriotic paraphernalia in the name of freedom. But the poppy, like the flag, is a symbol of slavery, not liberation. We will only be free when we reject our be-poppied masters and begin to organise society according to our own interests - a society without wage slavery or war. In the meantime, we should express solidarity with all those who are being prosecuted for defacing the cherished symbols of the nation state.
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Tunisia and Egypt: new media 'revolutions'?

2/2/2011

 
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"If you keep on repeating, repeating a word / It becomes increasing, increasingly absurd" - Wire

During the so-called Green Revolution in Iran in 2009, the conservative blogger Andrew Sullivan wrote breathlessly that:

"You cannot stop people any longer. You cannot control them any longer. They can bypass your established media; they can broadcast to one another; they can organize as never before. It's increasingly clear that Ahmadinejad and the old guard mullahs were caught off-guard by this technology and how it helped galvanize the opposition movement in the last few weeks."

The 'revolution will be twittered', wrote Sullivan, sparking off the notion of the 'Twitter/Facebook revolution' - although it seems that mobile phones played a far greater role than social media and microblogs in the organisation of the uprising.

The recent uprisings in Tunisia and now Egypt raise the question again: what role can the so-called 'new media' (already a somewhat dated phrase) play in bringing about social change? In a recent interview, the philsopher Mehdi Belhaj Kasem suggested that during the Tunisian events,

"When the official media told a lie, within the next half hour it was disproved by civil society on the Internet: a thousand people, ten thousand, a hundred thousand saw the real images, the state’s manipulation, the deceptions, etc. In short, for the first time in history it was the media – television, radio or newspapers – that played catch-up to a new kind of popular, democratic information. And the same thing is going to happen everywhere. It's even possible that journalism as such will end up being unnecessary."

A recent article by Noureddine Miladi gives an equally optimistic answer to the question of the role new media in political change. Miladi argues that the new media have played a key role in helping to bring about a 'revolution' and a democratic 'second republic' in Tunisia, circumventing the strict state censorship of the mainstream media. Perhaps all too revealingly, he also compares the new media's role in the Tunisian events to the part it played in securing the election of the US president Barack Obama in 2008.

Taken on its own terms, Miladi's analysis is sound. But for those who disagree with its political premises, the optimistic view of the political role of the new media is more difficult to maintain. A Marxist analysis of the so-called 'jasmine revolution' must consider the class forces at play in this situation. Rather as Barack Obama's election in 2008 can be seen not as an advance for the working class, but a setback (amongst other things, Obama's administration can be argued to have intensified the level of conflict in the Middle East), so the recent regime change in Tunisia can be seen not as a triumph for radical or 'grassroots' politics, but ultimately as the imposition of a capitalist settlement better able to manage the increasingly violent manifestations of social 'unrest' by adopting a democratic facade. As the International Communist Current's article on the bourgeois media reporting of the events points out, the mainstream news media in many countries - having effectively blacked out news of the uprising for weeks - have now begun to show footage of the demonstrations and to praise the dawning of a new democratic era (although in China there has been a complete news blackout). But from a working class political perspective, the overthrow of Ben Ali's regime - brutal and all-controlling as it certainy was - does not necessarily represent a long-term political gain for the working class. Although undoubtedly driven along by a strong proletarian protest against poverty and unemployment, the Tunisian movement also contained reformist elements. And while the Tunisian events have clearly shaken the country's ruling class, the capitalist state in Tunisia remains intact. We should therefore be wary of embracing either the hegemonic assumption that Tunisia has undergone a 'revolution' or the celebratory account of the new media's role in producing it. 

The demonstrators in Tunisia clearly used a variety of new media - mobile phones, Twitter, Facebook, etc. - to organise themselves, although there is nothing new about this situation. We might compare the role of social media here with that of the telegraph network in the 1848 revolutions that swept across Europe far more rapidly than the present uprisings have done in north Africa and the Middle East. In fact, as a 'revolutionary' technology, the telegraph beats the Internet hands down. As Ha-Joon Chang calculates in his book 23 Things They Don't Tell You About Capitalism, the introduction of telegraphy in the nineteenth century speeded up the transmission of a 300-word message across the Atlantic by a factor of 2,500; contrast this with the Internet, which is only five times faster at the same task than its technological predecessor, the fax machine.

Clearly the new social media do present headaches for capitalist states the world over. But there can be no doubt that the ruling class is hiring the best brains it can find to overcome these challenges and regain control of the digital domain. As Miladi himself notes, the Tunisian state disrupted certain social networking sites such as Facebook during the unrest. Moreover, access to new media technologies is very limited in many parts of the world. At most, only 1 in 4 Tunisians is a Facebook user (the figure is much lower for Egypt) and only around 34% of the world's population has Internet access. Use of the Internet is carefully monitored in most states. In extreme circumstances, in fact, the state can always withdraw Internet services - as has now happened in Egypt. The potential of new media to challenge the institutional hegemony of the traditional media should not therefore be overstated. 

A slew of recent books, including Matthew Hindman's The Myth of Digital Democracy and Evgeny Morozov's The Net Delusion have seriously questioned the potential of new media to precipitate radical social change. As Morozov shows, new media are manipulated by the state for propaganda purposes to a far greater extent than many cyber-utopians are prepared to acknowledge. One thinks, for example, of the way in which YouTube videos exposing social problems in countries like the US and Britain are used on channels like Iran's English-language news channel Press TV in order to undermine those states - a good thing in itself, perhaps, but hardly a radical use of new media when the critiques are being levelled by apologists for Iran's theocratic regime. One thinks, too, of the way in which Facebook has been used by the state to encourage participation in capitalist democracy through the placement of an 'I Voted' button on every Facebook user's profile page on election days.

Finally, we must not forget the propaganda value of the idealised figure of the 'netizen' for capitalist politicians. The image of plucky crusaders using social networking sites for democratic ends has enormous propaganda potential and is readily exploited by representatives of the state when it suits their interests: commenting in a Radio 4 lunchtime news bulletin (27 January 2011) on the Egyptian demonstrations that followed the Tunisian events, the British Foreign Secretary William Hague warned that it would be 'futile' for the Mubarak regime to try to prevent the free expression of public opinion via new media - although the British state itself suspended certain websites during the student protests in December 2010. 'Power to the People' is an easily recuperated slogan.

I hope to write more on this topic in future, but in general I think we should be sceptical of celebratory accounts of the potential of new media for radical political organisation.

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