RELATIVE AUTONOMY: MEDIA, FILM & POLITICS
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The Return of Black Lives Matter

29/6/2020

 
As everybody knows, the horrible police killing of George Floyd on 25 May in Minneapolis, Minnesota, is merely the latest in a long series of brutal attacks on people of colour in the US. The resulting (and ongoing) protests, rioting and looting are all entirely understandable reactions to the longstanding cruelties of racial capitalism, even if they contain relatively little potential for large-scale social change. The horrific violence directed against even peaceful protestors by the police and nationalist extremists, meanwhile, has rightly revolted many people. The police response has no doubt been spurred on by Trump’s seemingly tough ‘law and order’ response towards the protestors, although it is also a legacy of the militarization of the police that took place under Barack Obama and which was showcased during the unrest in Ferguson, Missouri, in 2014.
 
The Black Lives Matter movement, which has sprung back to life on a staggering scale recently, is a righteous cause. In much of the world, black lives really do not matter – or at least are usually valued less highly than white lives. This is not just the case in the US, where young black men are disproportionately killed by the police and subjected to various kinds of non-physical violence, including unemployment and imprisonment. Here in the UK, too, the state’s track record of racialised violence is also appalling and throughout much of the world, darker-skinned people are oppressed in a variety of ways – it is mainly black- and brown-skinned people, after all, that are the victims of US and Western imperialist violence in the Middle East and other parts of the world. At the same time, in the US and elsewhere, racism – whether in the form of apartheid and other legalised apparatuses or less overt forms of social inequality – has proved to be a highly effective apparatus of social control, allowing the ruling classes to divide and control their domestic workers.
 
From this point of view, the Black Lives Matter movement is a civilising force. A positive aspect of the worldwide protests is that they been, at least so far as I can see, largely spontaneous – not in the sense that they came out of nowhere (after all, they are a response not simply to the killing of one black man but to generations of chattel slavery and segregation), but in the sense that they have arisen relatively free from leftist co-option; it’s notable, for instance, that most the placards carried by demonstrators have been home-made. The protests surely also played a part in the firing of police officer Derek Chauvin, along with three of his colleagues, and to Chauvin being charged with murder. These protests have also brought together people of all ‘races’ to an unprecedented degree.
 
On the other hand, no clear working-class perspective has emerged out of the protests, even in the US. Here in the UK the situation is even more confusing, as many of the mainly young BLM demonstrators emphasize the importance of ‘being heard’ on the ‘issue’ of racism, but are less clear about who they want to be heard by and to what end. And there is little sense among British protestors of any coherent political understanding of racism beyond superficial ethical appeals to ‘good’ and ‘bad’ behaviour or vague calls for justice. Moreover, whatever radical ambitions some members of the Black Lives Matter organisation may harbour, the movement has been applauded or at least covered respectfully by huge swaths of the media and academic world. Many otherwise hard-nosed capitalist politicians, too, have pledged their allegiance to Black Lives Matter or engaged in a spot of socially-distanced knee-taking. CEOs and most of the world’s biggest corporations are also woking up to the power of the BLM brand; after all, what better than a few images of young people holding up homemade signs to give your social media profiles a bit of raw reality and multicultural edge? Of course, such co-option is no fault of the protestors or the BLM organisation itself; but it does show how easy it is for the ruling class to recuperate movements that primarily operate on the terrain of identity politics.
 
One of the most amusing elements of the now raging culture war over BLM is the conservative journalists’ and pundits’ claim that the Black Lives Matter organisation is ‘Marxist’. Now it may be true that some of its founders claim to be Marxists. A co-founder of BLM, Patrice Cullors, for example, has told journalists that she and her comrades are “trained Marxists”. But claiming to be a Marxist and actually being one are rather different things. In reality, BLM is a reformist organisation seeking ‘justice’ for black (and ultimately, as they say, all) people within the capitalist system. It does not stand for socialism. There is no indication on the BLM website, for example, that the organisation seeks the overthrow of capitalism or the ruling class – the raison d’être of any Marxist organisation and the only way that the majority of black people will be freed from misery under capitalism. And while its activism may lead to some small changes to the policing or judicial systems, some of its demands, such as the defunding of the police would not seem to be practical or even desirable while the capitalist system – itself a system of slavery – remains in place.
 
Strictly speaking, racism is simply the belief that races exist – a belief to which not only conservatives, but also many liberals and leftists subscribe (even if the latter occasionally refer to race as a ‘social construction’). We need to overcome the very concept of race, a pseudo-scientific notion that arose at the same time as racist practices, providing a justification for the slave trade in the early years of capitalism. This is only likely to be achieved if people of all skin colours come together to abolish the system itself.

adolph reed's tarantino slapdown

2/4/2013

 
While I don't agree entirely with all of its arguments, this intellectually rich and provocative online article by the excellent Adolph Reed makes some very salient points about the neoliberal ontology of Tate Taylor's The Help and Quentin Tarantino's Django Unchained. Worth a read.

Citizen Khan: A Bit of a Throwback

17/9/2012

 
Picture
I found a little bit of time to catch up with some recent television at the weekend. Having started with the imperative stuff (series 4 of The Thick of It, which, happily, seems to have found its dramatic feet again after the poor acting and rather irritating succession of one-liners last week), I turned my attention to more controversial fare - notably Citizen Khan, the BBC's new south Asian situation comedy starring Adil Ray, which has, predictably enough, been praised by right-wing pundits and excoriated by liberals.

Frankly, it's a bit of a throwback. The stereotypes (parking the second-hand prestige car on the pavement outside the house), settings (dun-coloured wallpaper, polythene sheets on the sofa) and jokes (mother-in-laws) are mostly drawn from the sitcom repertoires of the 1970s. There's even a canned laughter track. You just don't expect to see such dated comedy on twenty-first century television, any more than you'd expect to see, say, Martin Amis in a Toby Carvery.


Comparisons are being made, not entirely unfairly, between Citizen Khan and the racist late-1970s language college comedy Mind Your Language. In the earlier comedy, minority characters behave like childish morons, reproducing a very narrow set of stereotypical mannerisms, while the college's long-suffering white teacher, played by Barry Evans, wearily tries to bring order to a classroom that threatens to be overwhelmed by ethnic idiocies. Citizen Khan is nowhere near as insulting to its ethnic minority characters and its references to religious and ethnic particularisms are balanced by 'safer', 'universal' themes of marital and inter-generational strife familiar from 'white' sitcoms like My Family. Yet even here the pre-eminence of white liberal decency is continually asserted through the well-meaning interventions of the ginger-haired mosque manager Dave, who tries, disastrously, to help Mr Khan's mother-in-law buy a cardigan in Marks and Spencer and dispenses relationship advice to the simple-minded young man Amjad Malik (there is perhaps a suggestion of ethnic/immigrant community in-breeding here).

One could go on. But suffice to say that BBC executives must be concerned by the show's dwindling audience and the number of complaints received by the BBC about the programme suggests that not everybody is finding it very bloody funny.
And while we're talking about TV stereotypes, I kind of wish that the writers of the Scottish sketch show Burnistoun would not bring so many of their sketches to a close with explosions of verbal violence or physical battery. I love the show, if only because it reminds me of my Caledonian homeland; and it's true that Scottish comedy has always embraced madness, mayhem, knockabout and the carnivalesque. But in 2012 the stereotype of the working-class Glaswegian psychopath seems a bit, well, played out. To paraphrase a character from Burnistoun's predecessor Chewing the Fat, they've taken that too far.

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